Stanford Slutsky

Stanford Slutsky

Stanford Slutsky is an American artist, born in Pittsburgh, PA where at a young age he unearthed clay and started to make sculptures. In High school Stanford won numerous awards in jewellery designing and art. He moved to Florida 31 years ago where he became a full time working and producing artist. Most recent solo exhibitions to mention a few are, Coral Springs Museum of Art, The Ft Lauderdale Art Institute, Nathan D. Rosen Museum, Ft Lauderdale Museum of Art, and many more.

#270 Square Ball
Stanford Slutsky
24'' x 24'' x 2''
Mixed media
#270 Square Ball Stanford Slutsky 24” x 24” x 2” Mixed media
# 343 Quadraplex
Stanford Slutsky
34'' x 34''
Acrylic on canvas
# 343 Quadraplex Stanford Slutsky 34” x 34” Acrylic on canvas
#103 Forward
Stanford Slutsky
40'' circular canvas
Acrylic on canvas
#103 Forward Stanford Slutsky 40” circular canvas Acrylic on canvas

Did you study art? If so, where?

No. I am proud to say I am a self-taught artist. Being a visual person you could say I studied in the world of nature.

Why do you like Op Art?

As a child, magicians and magic acts fascinated me. There was something about the illusions they created that captured my imagination. I want that same vivid sense of illusions to be central in my artwork.

#248 Blue Movement
Stanford Slutsky
35'' x 40'' x 3''
Mixed media
#248 Blue Movement Stanford Slutsky 35” x 40” x 3” Mixed media
#308 Purple Square
Stanford Slutsky
24'' x 24''
Mixed media
#308 Purple Square Stanford Slutsky 24” x 24” Mixed media
#279 Dowel Hexagon
Stanford Slutsky
24'' x 24'' x 5''
Mixed media
#279 Dowel Hexagon Stanford Slutsky 24” x 24” x 5” Mixed media

How do you make your art? Do you use a computer?

No computer. I use any devise I can to sketch the idea that is on my mind. Being a self taught artist I create the thing out of my imagination and one piece leads me to another. When I am creating is when I am at peace and the happiest.

What’s the process for making one of your artworks?

My most recent body of work is of mixed media. After sketching my idea I then start cutting wooden dowels or medium density fiberboard to the length and shape I desire and then start mixing acrylic paints to apply. The paint is applied after much sanding and priming of the wood.

# 108 Angles & Dots
Stanford Slutsky
45'' x 52'' Shaped Canvas
Acrylic on canvas
# 108 Angles & Dots Stanford Slutsky 45” x 52” Shaped Canvas Acrylic on canvas
# 342 Dream Weaver V
Stanford Slutsky
24'' x 24''
Acrylic on canvas
# 342 Dream Weaver V Stanford Slutsky 24” x 24” Acrylic on canvas
#133 Random
Stanford Slutsky
38'' x 42''
Acrylic on canvas
#133 Random Stanford Slutsky 38” x 42” Acrylic on canvas

Any other art you like and other artists that inspire or have inspired you?

I am inspired by Victor Vasarely and Yaccov Agam, but I appreciate all forms of art.

How would you describe your art?

Today, all of my artwork creates the illusion of three-dimensionality and movement. I achieve these effects by juxtaposing hard-edged color patterns that disrupt the normal process of vision. Some shapes of color may seem to advance and then recede and others appear to pulsate in waves. It is a passionate and painstaking, semi-scientific approach to painting and mixed media constructions based on the manipulation of optical devices, and one which depends on subtle color gradations, systematic chromatic harmonic lines and shapes.

#122 Wright Angles
Stanford Slutsky
44'' X 54''
Acrylic on canvas
#122 Wright Angles Stanford Slutsky 44” X 54” Acrylic on canvas
#124 Radiance
Stanford Slutsky
36'' round canvas
Acrylic on canvas
#124 Radiance Stanford Slutsky 36” round canvas Acrylic on canvas
#345 Three Cubes
Stanford Slutsky
45'' x 45''
Acrylic on canvas
#345 Three Cubes Stanford Slutsky 45” x 45” Acrylic on canvas

You can find out more about Stanford and see more of his art on his website stanfordslutsky.com.

Stanford is represented in Florida by Vertu Fine Art.

Vertu Fine Art
5250 Town Center Circle
Suite 128
Boca Raton, Florida 33486
Tel.561.368.4680
Email:gary@vertufineart.com
Webpage: vertufineart.com

Polly Merredew

Polly Merredew

Polly Merredew is an artist living and working in the UK and we’re delighted to be presenting some of her work this month.  You can see more of Polly’s work on her Facebook page and website (which is currently being redone) via the links at the bottom of this page.

Graduating
65cm x 65cm
Acrylic on Canvas
Polly Merredew
Graduating 65cm x 65cm Acrylic on Canvas Polly Merredew
Isolation
65cm x 65cm
Acrylic on Canvas
Polly Merredew
Isolation 65cm x 65cm Acrylic on Canvas Polly Merredew
Opposition
100cm x 100cm
Acrylic on Canvas & Board
Polly Merredew
Opposition 100cm x 100cm Acrylic on Canvas & Board Polly Merredew

Did you study art? If so, where?

I studied Fine Art at the Birmingham Institute of Art and Design, achieving a BA (Hons) in Fine Art in 2003.

Why do you like Op Art?

I love colour and am fascinated with the way spatial depth and movement can be created by the use of colour relationships. I am interested in how the same composition can be used but changing the colours can create a very different outcome.

The idea of invoking a physical reaction or sensation in the viewer through clever use of colour intrigues me. Standing in front of a Bridget Riley painting makes me feel overwhelmed, inspired, and curious and excited…I want to make other people feel that way when they look at my work. I also like the fact that you don’t need any specialist art knowledge to enjoy Op Art and many people seem to either love it or hate it!

Positive
168cm x 63cm
Acrylic on Canvas
Polly Merredew
Positive 168cm x 63cm Acrylic on Canvas Polly Merredew
Untitled
120cm x 120cm
Acrylic on Canvas
Polly Merredew
Untitled 120cm x 120cm Acrylic on Canvas Polly Merredew
Negative
168cm x 63cm
Acrylic on Canvas
Polly Merredew
Negative 168cm x 63cm Acrylic on Canvas Polly Merredew

How do you make your art?

All my paintings are planned using paint and paper. I like working with materials, mixing the colours and producing something tangible that I can work with in planning the final piece.

A painting usually begins with an idea of the colour relationships that I would like to explore. From there I begin to mix colours, making swatches or colour charts that I can move around in order to investigate how the different colours will interact with each other.

Once I have an idea of how I might want the painting to work I go ahead and make it! This is quite a risky way of working as I really have no idea how the finished piece will look. This is part of the fun and excitement for me as things often happen that I cannot anticipate. Sometimes they work and sometimes they don’t. I have several paintings that will never see the light of day in my studio!

Careful (Diptych 2 of 2)
30cm x 30cm
Acrylic and Tape on Canvas
Polly Merredew
Careful (Diptych 2 of 2) 30cm x 30cm Acrylic and Tape on Canvas Polly Merredew
Untitled Blue (Stripes series)
50cm x 50cm
Acrylic and Tape on Canvas
Polly Merredew
Untitled Blue (Stripes series) 50cm x 50cm Acrylic and Tape on Canvas Polly Merredew
Untitled Pink (Stripes Series)
50cm x 50cm
Acrylic and Tape on Canvas
Polly Merredew
Untitled Pink (Stripes Series) 50cm x 50cm Acrylic and Tape on Canvas Polly Merredew

What’s the process for making one of your artworks?

Once I have decided the final composition I will draw it up onto canvas. This can take hours as the measurements have to be so precise and I often have to draw and redraw to get it accurate. From there I will use tape to mask off certain areas and start to paint. I like to achieve clean lines between painted areas but will leave small marks to distinguish it as a handmade piece. Once I have painted the whole piece I will spend hours looking at it, repainting areas that I am not happy with until I am satisfied it is finished. I do find it hard to walk away – I’m such a perfectionist.

Inside Out (Diptych 1of 2)
60cm x 60cm
Acrylic on Canvas
Polly Merredew
Inside Out (Diptych 1of 2) 60cm x 60cm Acrylic on Canvas Polly Merredew
Ode to Lily (Diptych 2 of 2)
120cm x 120cm
Acrylic on Canvas
Polly Merredew
Ode to Lily (Diptych 2 of 2) 120cm x 120cm Acrylic on Canvas Polly Merredew
Inside Out (Diptych 2 of 2)
60cm x 60cm
Acrylic on Canvas
Polly Merredew
Inside Out (Diptych 2 of 2) 60cm x 60cm Acrylic on Canvas Polly Merredew

Any other art you like and other artists that inspire or have inspired you?

I love the work of many artists… to name a few: Ian Davenport, Polly Apfelbaum, Monet. I also stumbled across an artist called Piero Dorazio whilst on holiday in Greece a few years ago who totally inspired me.

I love designers such as Kaffe Fassett, Orla Kiely, Amy Butler and Cath Kidston who all work with colour and pattern in a bold and beautiful way.

Expecting Huey (Triptych 1 of 3)
100cm x 60cm
Acrylic on Canvas
Polly Merredew
Expecting Huey (Triptych 1 of 3) 100cm x 60cm Acrylic on Canvas Polly Merredew
Expecting Huey (Triptych 2 of 3)
100cm x 60cm
Acrylic on Canvas
Polly Merredew
Expecting Huey (Triptych 2 of 3) 100cm x 60cm Acrylic on Canvas Polly Merredew
Expecting Huey (Triptych 3 of 3)
100cm x 60cm
Acrylic on Canvas
Polly Merredew
Expecting Huey (Triptych 3 of 3) 100cm x 60cm Acrylic on Canvas Polly Merredew

What do you like doing outside of your artwork?

I just love being creative so will try my hand at anything. I love to sew, particularly patchwork and also make cards. I also have 2 small children who keep me extremely busy and inspire me every day with their wonder and awe at the world.

Contact details:

Email: polly_merredew [AT] btinternet.com
Website: www.pollymerredew.co.uk (currently under construction)
Facebook: https://www.facebook.com/PollyMerredew

Stephen Jaques @ Royal Academy Summer Exhibition

Stephen Jaques @ Royal Academy Summer Exhibition

Stephen Jaques will be showing two paintings in this years Royal Academy Summer Exhibition.

“Now in its 245th year, the Summer Exhibition remains a much anticipated highlight of the arts calendar, serving as a unique window on to all areas of the contemporary art world. It is the world’s largest open-submission exhibition, displaying more than 1,000 works in all styles and media, including painting, printmaking, photography, sculpture, architectural models and film.”

The paintings on display are Rotation and Gemini (see below).  The show runs from June 10th until the 18th August and is well worth a visit.

Rotation - 2012 - acrylic on canvas - 61 x 61 cm

Rotation – 2012 – acrylic on canvas – 61 x 61 cm

Gemini 2012 - acrylic on canvas - 86 x 66 cm

Gemini 2012 – acrylic on canvas – 86 x 66 cm

You can find the Royal Academy here:

 

Sonia Enache Original Op Art Fashion Show – Friday 28th June in Bucharest

Sonia Enache Original Op Art Fashion Show – Friday 28th June in Bucharest

Sonia Enache is a 26 year old fashion student at the University of Arts in Bucharest who has produced the amazing Op Art inspired designs you see below.

Sonia Enache - GraphX

Her graduation show is on tonight (Friday 28th June 2013) at 9pm @ 28 Calea Griviței, Bucharest (Romania) so if you are in Bucharest and want to see some inspired Op Art fashion designs then head on over there.  The collection has been coordinated by Razvan Vasilescu. Entrance to the show is free.

Sonia Enache GraphX collection 1

Sonia Enache GraphX collection 2

Sonia Enache GraphX collection 3

The collection is called GraphX and makes use of digital printing direct onto the fabric – a process that has revolutionized fabric design in general.  In addition to the clothing designs, Sonia created all the Op Art patterns herself in Adobe Illustrator.

“I discovered my interest in op art this year, when one of my teachers encouraged me to go in this direction with my designs. So I began thinking practically about how optical illusions would look on textiles – in a way that retained the optical illusion aspect.  I had always been attracted to this type of art – one of my favourite artists being Maurits Cornelis Escher.  I also love Bridget Riley’s works, Vasareli’s and recently I found Helen Owen‘s works which I think are very original and beautiful.”

Sonia Enache GraphX collection 4

Sonia Enache GraphX collection 5

Sonia Enache GraphX collection 6

“The first illusion print I designed was based on putting black and white rectangles together in different sizes and then distorting them with a twist effect. People who saw the print on fabric uncut became dizzy very quickly. My tailor turned the fabric on the other side when she cut it because she was getting dizzy, too”

Sonia Enache GraphX collection 7
Sonia Enache GraphX collection 8
Sonia Enache GraphX collection 9
Sonia Enache GraphX collection 10

If you would like to contact Sonia about her designs then you can do so on soniaenache13@yahoo.com

All photos by animat.

Thanks Sonia for getting involved and good luck with the show!

UPDATE:

Unsurprisingly the show was a big success.  Here’s a photo from the catwalk:

Sonia Enache catwalk